by Zena el Khalil
"I take that which is rooted in violence and then I de-contextualize it so that it no longer exists. The pink objects and embellishments are my weapons of positive energy. I take aim and shoot them at objects of war, ideas of fear, techniques of alienation. I want to negate the negative. I would not say that my work is “feminized”; it is simply an extension of myself... and yes, I happen to be a woman. I don’t believe the word “feminized” exists; our present world is very complex and layered, with a lot of crossing over. It would be unfair to narrow things down to the word “feminized”."
Wednesday, February 9, 2011
Don't Call Me Baby
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